Saturday, March 26, 2016

Modernism

Modernism was era of modern art. This was the last “ism” of art. Modernism raised in 19th century, with the introduction of fashion, painting, sculpture, photography, impressionism, surrealism, futurism, pop art, op art. During this period, women were more involved in outside worlds since all men were on war. Women took over duties of men and were successful at the industrial revolution. During this time, a lot of the artwork was a big experiment. They all tried to depict real world.  Woman artist were not taken seriously until later this time when modern movement of art could only happen with major involvement of women artists. Women were always seen as object of sexuality or trophy whose purpose were to serve men and their family. Their creativity or talent was never given a serious interest.

Abstraction is usually non representational, the form uses geometric shapes or gesture marks which have to external visual reality. However. it may have connection to the real world as well.Modernity is both linked to the desire for the new fashion expresses so well, and culturally tied to the development of a new visual language for the twentieth century- abstraction” (Chadwick 253). Women were more open to other ideas of art.

During the revolutionary change of the “ism”, Dada was an artistic and literary movement that began in Zurich, Switzerland. It gained light after the reaction to World War I and the nationalism that many thought had led to the war. Dadaism was influenced by Cubism, Futurism, Constructivism, and Expressionism.



Sophie Taeuber-Arp was a leading figure in Zurich and Paris during the dada movement. She referred her painting as concrete paintings as her training in textile industry influenced them during Cubism. From 1916-1928 she taught textile design at the Zurich School of Arts and Crafts.  She was extremely popular with her sculptors.  The image below is one of her many popular works.



Sophie Taeuber-Arp - Dada Kopf, portrait de Hans Arp, 1918 .


Another great artist during this era, Sonia Delaunay, was a big influence of Dada art. She helped develop a theory of color known as stimultanism with her husband Robert Delaunay. (Guerilla Girls, Pg 60) Sonia was the breadwinner for the family, until her family lost their wealth. The image below is one of the popular work by her.



Disdaining rationalism and literary realism, and powerfully influenced by psychoanalysis, the Surrealists believed the rational mind repressed the power of the imagination, weighting it down with taboos. Initially, women were important to the Surrealists not as artists but as muses and lovers. “Alienated from Surrealist theorizing about women, and from the search for a female muse, women turned instead to their own reality. Surrealism constructed women as magic objects and sites on which to project male erotic desire” (Chadwick, 313). Surrealists became a major force in art beginning in the 1920s. Visionary and symbolic, the women's imagery frequently incorporated dreamscapes and architectural interiors in which women were strong, dominant figures controlling their environments. 



                               Roots, 1943 by Frida Kahlo

In this painting, Frida is depicted as her torso opens up like a window and gives birth to a vine. It's her dream of being able to give birth as a childless woman. Frida's blood circulates the vine and reaches beyond the leaves' veins and feed the parched earth. With surrealism, Kahlo was able to connect with her audience by portraying her true self, through many of self-portraits and paintings.





Women artist were bolder with their paintings as well as their portraying their true inner self.  With the influence of extremely creative and fierce women artists, modernism ha become an important aspect of art history which continues to influence 21st century.




Work Cited:

National Museum of Women in the Arts." Sophie Taeuber-Arp. Web. 27 Mar. 2016.
Chadwick, Whitney. 2012. Women, Art, and Society. 4th ed. New York, NY: Thames and Hudson.
Guerrilla Girls. 1998. The Guerrilla Girls' Bedside Companion to the History of Western Art. New York, NY: Penguin Books


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